{"id":9717,"date":"2020-12-01T10:51:54","date_gmt":"2020-12-01T09:51:54","guid":{"rendered":"http:\/\/64.227.66.199\/?page_id=9717"},"modified":"2020-12-04T10:20:13","modified_gmt":"2020-12-04T09:20:13","slug":"exhibition-programme-2021","status":"publish","type":"page","link":"https:\/\/afmuseet.dev10.dekodes.no\/nettbutikk\/exhibition-programme-2021\/","title":{"rendered":"Utstillingsprogram 2021"},"content":{"rendered":"

[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”9489″ animation=”Fade In” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]<\/p>\n

Utstillingsprogram 2021<\/h1>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]19. november 2020<\/p>\n

Det er med glede vi kan lansere Astrup Fearnley Museets utstillingsprogram for hele 2021. Dette markerer ogs\u00e5 det f\u00f8rste \u00e5ret der direkt\u00f8r og sjefkurator Solveig \u00d8vsteb\u00f8 st\u00e5r for museets program.<\/p>\n

I planleggingen av utstillingene, har jeg tatt med meg museets historie og institusjonelle st\u00e5sted. Astrup Fearnley Museet har i de senere \u00e5rene hatt ett ben solid plassert i den amerikanske samtidskunstscenen og ett i den norske. Det har derfor v\u00e6rt et bevisst valg \u00e5 invitere en amerikansk kunstner og en norsk kunstner til de to hovedutstillingene i \u00e5r. Samtidig \u00f8nsker jeg \u00e5 fremheve andre markante kunstnerskap fra den omfattende Astrup Fearnley Samlingen, og sommeren 2021 vil publikum f\u00e5 se en ny sammensetning av verk fra samlingen, i en utstilling som vil strekke seg over begge museumsbyggene, uttaler \u00d8vsteb\u00f8.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”accent-color”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]<\/p>\n

NICOLE EISENMAN \u2013 GIANT WITHOUT A BODY<\/strong><\/h5>\n

Utstillingsperiode: 5 Februar \u2013 23 Mai<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” left_padding_desktop=”100″ right_padding_desktop=”100″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”9493″ animation=”Fade In” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]<\/p>\n

Nicole Eisenman, Death and the Maiden, 2009. \u00a9Nicole Eisenman.<\/h6>\n

[\/vc_column_text][divider line_type=”No Line”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Astrup Fearnley Museet innleder utstillings\u00e5ret 2021 med en omfattende presentasjon av den amerikanske kunstneren Nicole Eisenman. Dette er hittil den st\u00f8rste separatutstillingen av Eisenman i Europa og utstillingen gj\u00f8r et dypdykk i kunstnerens praksis fra 2006 og frem til i dag, inkludert helt nye arbeider fra 2020.<\/p>\n

Nicole Eisenman (f. 1965) har siden 1990-tallet etablert seg som en sentral skikkelse i amerikansk maleri med sine karakteristiske verk som beveger seg mellom abstraksjon og figurative milj\u00f8skildringer. B\u00e5de i teknikk og motiv benytter hun seg av historiske referanser hvor hun lekent gjenoppliver elementer fra renessanse, barokk, sosialrealisme s\u00e5 vel som tysk ekspresjonisme og kobler disse til samtiden gjennom et skarpt og n\u00e5tidig uttrykk.<\/p>\n

Arbeidene gir et fargerikt og feirende f\u00f8rsteinntrykk, men ved n\u00e6rmere betraktning avdekkes flere lag av mening og intrikate fortellinger. Ofte er historiene basert p\u00e5 virkelige karakterer fra kunstnerens eget liv, men retter samtidig oppmerksomheten mot samfunnsrelaterte sp\u00f8rsm\u00e5l og sosiopolitiske konflikter. Med stor grad av humor trekker hun inn temaer som identitet, seksualitet og politikk \u2013 satt sammen med elementer b\u00e5de fra popul\u00e6rkultur og motkultur. Nicole Eisenmans unike sensibilitet overfor samtidens kompleksitet og menneskers motsetningsfulle f\u00f8lelsesliv, resulterer i treffende observasjoner av det moderne livet.<\/p>\n

Selv om Eisenman er mest kjent for sine malerier, har hennes kunstneriske praksis ogs\u00e5 omfattet helt s\u00e6regne skulpturelle arbeider som har f\u00e5tt stor oppmerksomhet. I tillegg til et bredt utvalg av malerier, inkluderer utstillingen det ruvende verket Procession fra 2018 som best\u00e5r av ni enkeltst\u00e5ende skulpturer. De burleske figurene danner gjennom sin oppstilling og sammensetning en eklektisk parade av ulike uttrykk, materialbruk og kunstneriske virkemidler. Procession st\u00e5r som et av Eisenmans hovedverk og markerte et skifte i kunstnerskapet der det skulpturelle fikk mer plass. Eisenman sier selv at \u00abI believed you could build better narrative with painting, but this work proved to me the same is possible through sculpture\u00bb. Ogs\u00e5 her lurer humoren og satiren i bakgrunnen, godt illustrert ved figuren som innimellom slipper ut r\u00f8yk fra baken \u2013 en \u00abpost-Trumpian gesture\u00bb, if\u00f8lge Eisenman.<\/p>\n

Nicole Eisenman bor og arbeider i Brooklyn, New York. Arbeidene hennes har blitt utstilt i b\u00e5de separat- og gruppeutstillinger ved institusjoner som Museum of Modern Art, San Francisco Museum of Modern Art, Carnegie Museum of Art, Kunsthalle Z\u00fcrich og Ludwig Museum i K\u00f6ln. I 2019 ble arbeidene hennes vist b\u00e5de p\u00e5 Venezia-biennalen og Whitney-biennalen. I 2015 ble hun en del av MacArthur Fellows Program og i 2018 ble hun innlemmet i American Academy of Arts and Letters.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”accent-color”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]<\/p>\n

SOMMERUTSTILLING – VERK FRA ASTRUP FEARNLEY SAMLINGEN<\/h5>\n

Utstillingsperiode: 18. juni – 5. september[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” left_padding_desktop=”100″ right_padding_desktop=”100″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”9494″ animation=”Fade In” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]<\/p>\n

Bruce Neuman, Run from Fear, Fun from Rear, 1972. \u00a9 Bruce Nauman \/ BONO.<\/h6>\n

[\/vc_column_text][divider line_type=”No Line”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Astrup Fearnley Samlingen er Norges mest omfattende samling av internasjonal samtidskunst og inkluderer sentrale verk av kunstnere fra hele verden. Siden dens opprettelse p\u00e5 1960-tallet har samlingen konsentrert seg om enkeltkunstnere og fulgt deres utvikling i dybden gjennom mange \u00e5r og gjennom ulike faser.<\/p>\n

Da Solveig \u00d8vsteb\u00f8 tiltr\u00e5dte som direkt\u00f8r og sjefkurator i mai 2020 var en av hennes prioriteringer \u00e5 gj\u00f8re seg godt kjent med samlingen. Sommeren 2021 presenteres en utstilling som viser resultatet av en ny leders blikk p\u00e5 museets samling, og som vil presentere b\u00e5de kjente og mindre kjente verk. Utstillingen vil fokusere p\u00e5 \u00e5 vise omfanget i de utvalgte kunstnerskapene og \u00e5 presentere kunstneriske praksiser i bredden.<\/p>\n

Listen over kunstnere og verk er under utarbeidelse.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”accent-color”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]<\/p>\n

SISSEL TOLAAS<\/strong><\/h5>\n

Utstillingsperiode: 1. oktober \u2013 9. januar<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” left_padding_desktop=”100″ right_padding_desktop=”100″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”9495″ animation=”Fade In” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]<\/p>\n

Sissel Tolaas, Smell Re_searchLab, Berlin. Foto: Alexandra Daisy Ginsberg.<\/h6>\n

[\/vc_column_text][divider line_type=”No Line”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]H\u00f8sten 2021 viser Astrup Fearnley Museet en separatutstilling av den norske kunstneren og forskeren Sissel Tolaas.<\/p>\n

I l\u00f8pet av en dag puster vi inn og ut omkring 24\u00a0000 ganger. I disse \u00e5ndedragene ligger det informasjon vi ikke legger merke til \u2013 usynlige beskjeder til hjernen som umiddelbart trigger b\u00e5de f\u00f8lelser og hukommelse. For Sissel Tolaas er derfor lukt et viktig og ofte oversett verkt\u00f8y for kommunikasjon.<\/p>\n

Gjennom flere ti\u00e5r har Tolaas utviklet en helt s\u00e6regen kunstnerisk praksis som utfordrer ideen om kunstverket som fysisk form. Siden slutten av 80-tallet og begynnelsen av 90-tallet har hun hatt en dyptg\u00e5ende interesse for \u00e5 observere kjemiske prosesser og temaet\u00a0endring<\/em>. Tolaas\u2019 verk og prosjekter har hverken en begynnelse eller slutt, de er alltid i fluks. Tidlig i karrieren hennes, dreide disse prosessene seg mest om formale eksperimenter og matematiske beregninger som utforsket hvordan ulike materialer p\u00e5virker og er avhengige av hverandre. Etter hvert beveget hun seg bort fra det fysiske og visuelle og over mot det sanselige og immaterielle. Allerede p\u00e5 1990-tallet skapte hun verk som fokuserte p\u00e5 sensoriske situasjoner og reaksjoner ved \u00e5 eksponere publikum for luftstr\u00f8mmer og lukter fra ulike kilder. Med base i sitt studio og kjemilaboratorium i Berlin arbeider Tolaas med kompleksiteten i luktelementer og utforsker nettopp lukt som et medium for kunstnerisk uttrykk. Hennes unders\u00f8kelser spenner fra dyptg\u00e5ende forskning og analyse, til arkivering og syntetisk (re)produksjon av luktmolekyler og -strukturer. Tolaas har over flere \u00e5r bygget opp ulike arkiver med \u00abluktopptak\u00bb, best\u00e5ende av 10\u00a0000 luktmolekyler. Videre har hun etablert et unikt luktleksikon,\u00a0Nasalo<\/em>, som til n\u00e5 inneholder 4200 ord og uttrykk. I 2004 grunnla hun\u00a0SMELL RE_searchLab<\/em>, et laboratorium som har samarbeidet med en rekke vitenskapelige institusjoner verden over.<\/p>\n

Gjennom en kunstnerisk og forskningsbasert praksis som retter seg mot luktesansen fremfor synet og h\u00f8rselen, aktiverer Tolaas en annen type bevissthet og tilstedev\u00e6relse hos sitt publikum. Utstillingen p\u00e5 Astrup Fearnley Museet blir intet unntak. Den vil inkludere et stort spekter av arbeider fra Tolaas\u2019 lange karriere, og vil vise et utvalg av hennes tidlige installasjoner og papirarbeider sammen med en omfattende presentasjon av hennes senere luktprosjekter. Utstillingen vil vise bredden av en kompleks, men likevel sv\u00e6rt direkte og intuitiv kunstpraksis, der begrepene\u00a0prosess, tid\u00a0<\/em>og\u00a0endring<\/em>\u00a0g\u00e5r som r\u00f8de tr\u00e5der gjennom alle arbeidene.<\/p>\n

Sissel Tolaas bor og arbeider i Berlin og hennes prosjekter er blitt vist internasjonalt p\u00e5 biennaler og ved museumsinstitusjoner som MoMA i New York, The National Gallery of Victoria i Australia, Dia Art Foundation i New York, California College of the Arts og Tate Modern i London. Utstillingen p\u00e5 Astrup Fearnley Museet blir den hittil st\u00f8rste presentasjonen av hennes kunstnerskap.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][social_buttons facebook=”true” twitter=”true”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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