{"id":1419,"date":"2022-02-17T17:15:22","date_gmt":"2022-02-17T17:15:22","guid":{"rendered":"https:\/\/afmuseet.dev10.dekodes.no\/en\/?post_type=exhibition&p=1419"},"modified":"2022-02-17T17:15:22","modified_gmt":"2022-02-17T17:15:22","slug":"jeff-koons-works-from-the-astrup-fearnley-collection","status":"publish","type":"exhibition","link":"https:\/\/afmuseet.dev10.dekodes.no\/en\/exhibitions\/jeff-koons-works-from-the-astrup-fearnley-collection\/","title":{"rendered":"Jeff Koons – Works from the Astrup Fearnley Collection"},"content":{"rendered":"\n
Exhibition<\/span>\n\n

Jeff Koons – Works from the Astrup Fearnley Collection<\/h1>\n\n28. Sep. 2018 – 20. Jan. 2019<\/span>\n\n
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In 2018 we mark Astrup Fearnley Museet\u2019s 25th anniversary with a series of smaller exhibitions of significant artists from the Astrup Fearnley Collection. Jeff Koons – Works from the Astrup Fearnley Collection is the fifth in our series of anniversary exhibitions. <\/p><\/div><\/div><\/div>\n\n\n\n

Jeff Koons belongs to a long tradition of artists who work with readymade objects and images. He was one of the main figures in the group of Appropriation artists in New York during the late 1970s, developing a highly conceptual art.<\/p>\n\n\n\n

At first, he presented displays of appropriated everyday objects \u2013 domestic appliances, basketballs, diving equipment, plastic bath toys \u2013 and objects based on popular aesthetic references, often referred to as \u2018kitsch\u2019. By executing his objects and images with a high level of material perfection and blowing them up in scale, he elevated the humble originals to the level of high art.<\/p>\n\n\n\n

Behind each series and object lies a story that operates on many different levels, including the artist\u2019s personal narratives. Taken all together, they constitute a body of work expressing fundamental themes related to man and society. Repeatedly in Koon\u2019s work, the viewer is confronted by reflections on social aesthetics, self-acceptance, willpower, sexuality, immortality and death.<\/p>\n\n\n\n

Koons is highlighting in his art the need to reject all ideas of blame and culpability, which consciously or unconsciously determine our actions, and to break away from social and cultural taboos and intellectual oppression.<\/p>\n\n\n\n

This exhibition presents a selection of works from the collection, which shows Koon’s works from the late 80’s and the development of his groundbreaking oeuvre.<\/p>\n\n\n\n

\u201cJust as Warhol proposed real news images and iconic pictures as art, Koons appropriates the aesthetics and social and cultural conventions of the masses in order to \u2018penetrates mass consciousness\u2019 and propose a populist notion of beauty as art. \u2018Where I differ\u2019, he says \u2018is that Warhol believed you could penetrate the mass through distribution and I continue to believe you penetrate the mass with ideas\u2019. One could add that Koons\u2019s creative act is also \u2013 and not least \u2013 a political act, aimed at re-evaluating the cultural references of a class that for too long had been regarded as a cultural outsider.\u201d<\/em><\/p>\n\n\n\n

–\u00a0Gunnar B. Kvaran, in his introduction to the exhibition\u2019s mini catalogue<\/p>\n\n\n

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Jeff Koons – Works from the Astrup Fearnley Collection<\/h2>\n\tkr 30<\/span\n\t>\n\t\n\t
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