1.0Astrup Fearnley Museethttps://afmuseet.dev10.dekodes.no/endekodehttps://afmuseet.dev10.dekodes.no/en/author/dekode/rich600338<blockquote class="wp-embedded-content" data-secret="XjF8R6xx5Z"><a href="https://afmuseet.dev10.dekodes.no/en/artist/charles-ray/">Charles Ray</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://afmuseet.dev10.dekodes.no/en/artist/charles-ray/embed/#?secret=XjF8R6xx5Z" width="600" height="338" title="“Charles Ray” — Astrup Fearnley Museet" data-secret="XjF8R6xx5Z" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://afmuseet.dev10.dekodes.no/en/wp-includes/js/wp-embed.min.js /* ]]> */ </script> Charles Ray’s art can neither be systematized into pre-existing historical categories nor framed in relation to specific artistic groups or movements. But he is no outsider. Over the last thirty years, he has emerged as one of the art world’s most unique figures. Intrigued by the vocabulary and thematics of Anthony Caro’s sculptural practice – […]